Search results for " Mieke"

showing 3 items of 3 documents

BAL, Mieke. "Tiempos trastornados. Análisis, historias y políticas de la mirada"

2016

ArtículoUNESCO::HISTORIA::Historia por especialidades::Historia del arteBAL Mieke. &quot:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]Tiempos trastornados. Análisis historias y políticas de la mirada&quotBAL Mieke. "Tiempos trastornados. Análisis historias y políticas de la mirada" Artículo
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Huoli kuvasta : merkitys, mieli, materiaalisuus

2017

This research is a hybrid of a monograph and a multiple-article dissertation. Its theoretical starting point is a phenomenologically based view of the being of the image, in which Georges Didi-Huberman´s work plays a central role. For him, as well as for Mieke Bal, a historical work of art is never only in the distant past only but also exists in the present actuality. This makes the temporality of the Image extremely complex. The Image can be encountered only “pre-posterously” (Bal) or by reading it “against the grain” (Didi-Huberman). The Image is necessarily anachronistic; it is not in time but opens up time. This fact should be taken into account not only in art history, but also in art…

taiteentutkimusrestorationpreservationmerkityksettulkintaDidi-Huberman Georgestaideimageontologiamerkitystechinal art historykuvallinen ilmaisukuvatmateriaalisuusBrandi CesaretaideteoksetconservationfenomenologiaphotographykulttuuriperintötunnustuksellisuuspitkäaikaissäilytystaidekäsityksetBal MiekephenomenologyWacklin IsaacPuranen Jormakonservointitaidefilosofia
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Il primo concorso per il Palazzo di Giustizia a Roma del 1884. Ricostruzione critica del progetto di Ernesto Basile

2019

1. Breve descrizione dell’oggetto di studio Il concorso del Palazzo di Giustizia di Roma si svolge in quattro fasi svolte tra il 1884 e il 1887. Il progetto per il primo concorso, del 1884, redatto dall’allora giovanissimo Ernesto Basile (Palermo 1857-1932), rivela una grande perizia progettuale che trasforma il complesso programma funzionale in un austero edificio in stile neofiorentino. I disegni originari dell’opera, non realizzata, conservati presso la Dotazione Basile del Dipartimento di Architettura dell’Università di Palermo, sono stati oggetto di studio propedeutico alle fasi di analisi, interpretazione e ricostruzione congetturale del modello digitale. 2. Stato dell’arte e riferime…

the spatiality of the great vestibule• elaboration of axonometric and perspective view• choice of interpretation criteria in case of project incongruitiethe vaulted arcades.the space of the main courtyard which Basile outlines in a sketch• elaboration of analytical drawings (modular functional compositional volumetric schemes)• modular study and flat vectorization• application of rendering techniques consistent with the available information. 4. Objectives pursued and achieved Conjectural reconstruction achieved the following results: • formulation of analytical documents which show how the planimetric and altimetric articulation are perfectly consistent with the functional program• definition of the level of uncertainty1. Brief description of the object of study The competition of the Palace of Justice in Rome takes place in four phases between 1884 and 1887. The project for the first competition in 1884 drawn up by the then very young Ernesto Basile (Palermo 1857-1932) reveals a great deal of design expertise that transforms the complex functional program into an austere building in neo-florentine style. The original drawings of the building not realized kept in the Basile Endowment of the Department of Architecture of the University of Palermo have been the subject of preliminary study to the phases of analysis interpretation and conceptual reconstruction of the digital model. 2. State of the art and main bibliographical references The conjectural reconstruction on the basis of drawings and archival documents is a well-established and codified practice thanks to various disciplinary contributions at national and international level. See: F. I. Apollonio Classification Schemes for Visualization of Uncertainty in Digital Hypothetical Reconstruction in M. Sander P. Mieke P. Kuroczyński M. Ioannides 3D Research Challenges in Cultural Heritage II Cham (CH) 2016. G. Antista M. Cannella Ricostruire. Architettura - Storia – Rappresentazione Palermo 2015. For studies related to the examinated project see: E. Mauro E. Sessa I disegni della Collezione Basile Roma 2015. E. Sessa Ernesto Basile. Dall'eclettismo Classicista al Modernismo Palermo 2002. 3. Definition of the methodologies adopted in the research Methodological phases: • historical analysi• survey of the original drawings and dimensional verification of the flat scanSettore ICAR/17 - Disegno• construction of perspective views deduced from the original drawings that highlight: the volumetric hierarchy and the function of the bugnate in the scanning of the masonry ma• three-dimensional modeling
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